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ACV Studio

Concentric Chairs

$2,400.00

Material
Stainless steel, salvaged mixed metal, rubber

Dimensions
Variable

Information
2 x Bike Wheels cut and connected to become chairs, with stainless steel legs

Note: All available-for-purchase artworks featured in less discernible edges can be collected after the closing of the exhibition in January, 2026.

 

Artist: Anna Varendorff

Anna Varendorff is a mid-career practitioner (as per artisan’s published definitions) and work as an artist, craftsperson, designer and academic. She studied and began her practice in Brisbane, where she lived and worked for a decade before moving to Melbourne, where she has continued to commit her energy to her creative practice. Varendorff work regularly between Melbourne and Brisbane: creating public works for Brisbane City Council, UAP, private commissions and with a regular exhibition practice, including a 20+ year ongoing relationship with artisan. Varendorff makes sculpture and installations, small run furniture for exhibition, and she produce handmade products under the name ACV studio. Across all of these platforms she is curious and concerned with feminism, the politics of labour, and the revolutionary capacity of handmade objects. 

Varendorff’s artworks have been exhibited at the Australian Centre for Contemporary Art (2016), National Gallery of Victoria (2013, 2024), Salone de Mobile Milan (2017, 2018, 2019), and in many other private and public spaces. Japan is of special interest to her work. She participated in an artist’s residency in Onishi, Gunma in 2016. She has travelled there many times, specifically to visit art sites and festivals.

 

Exhibition: less discernible edges

less discernible edges is an exhibition of works by renowned designer Anna Varendorff (ACV Studio). Currently based in Melbourne, originally from Queensland. Varendorff exhibited in the 2006 iteration of Unleashed at artisan
 
Working by hand, and with other specialist Australian fabricators, Varendorff creates sophisticated designs that push the boundaries of materials and form. Her practice celebrates the importance of skilled handmaking, women makers, and embracing the distinctive variations that emerge from individual craftsmanship.

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